Setlist at Neumos Crystal Ball Reading Room Seattle, WA on Mar 1, 2008

Set One
Intro 40
Pay Yer Dues 239
Amanda Lynn 309
Golden Days 461
Worth Waiting 253
High Bill Medley 531
Queen Elizabeth 360
The Crest 687
California Snow & Rain 354
I've Got A Feeling 256
Brokedown 407
Beneath The Blossoms 398
Chatter 48
Summertime Gal 873
Hugs, Not Handshakes 366
Busted In Utah 443
Set Two
Intro 26
Back On The Train 271
Flask, Alas! 311
Roll River Roll 463
Be Kind Boys 280
Right Between Your Eyes 333
Song In A Can 381
Immaculate Rain 149
Idaho Pines 474
Banjo Rock 'N' Roll 342
Sugaree 660
Well-Oiled Machine 455
Firefly 264
Swing & Sway 290
Sing Me A River 309
Sweet Honey Fountain 210
Silas 190
This Must Be The Place (Naive Melody) 255
Sweet Honey Fountain 81
Angeline The Baker / Cindy 301
Encore
String's Breath 384
For The Longest Time 207
Neumos Crystal Ball Reading Room
Seattle, WA
Mar 1, 2008

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Setlist at Neumos Crystal Ball Reading Room Seattle, WA on Mar 1, 2008

Set One
Intro 40
Pay Yer Dues 239
Amanda Lynn 309
Golden Days 461
Worth Waiting 253
High Bill Medley 531
Queen Elizabeth 360
The Crest 687
California Snow & Rain 354
I've Got A Feeling 256
Brokedown 407
Beneath The Blossoms 398
Chatter 48
Summertime Gal 873
Hugs, Not Handshakes 366
Busted In Utah 443
Set Two
Intro 26
Back On The Train 271
Flask, Alas! 311
Roll River Roll 463
Be Kind Boys 280
Right Between Your Eyes 333
Song In A Can 381
Immaculate Rain 149
Idaho Pines 474
Banjo Rock 'N' Roll 342
Sugaree 660
Well-Oiled Machine 455
Firefly 264
Swing & Sway 290
Sing Me A River 309
Sweet Honey Fountain 210
Silas 190
This Must Be The Place (Naive Melody) 255
Sweet Honey Fountain 81
Angeline The Baker / Cindy 301
Encore
String's Breath 384
For The Longest Time 207

Show Notes

  • contains both closing sets from the "Festival Express" run between Portland and Seattle
  • features as guests Scott Law (Honytonk Homeslice), Matt Butler (Everyone Orchestra), and James Nash (The Waybacks)
  • first-time played a capella version of For The Longest Time (Billy Joel)

  • photography by Dave "deadesq" Fleishman

  • editor's note: The unamplified For The Longest Time was recorded with audience/room mics only. The sound is different, and less perfect, than the rest of the matrixed recording.
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