Setlist at Magic Stick Detroit, MI on 12/31/2000

Set One
Let There Be Rock 313
Dog Eat Dog 207
You're Pretty Good Looking (For a Girl) 104
Hello Operator 141
Death Letter 271
Little Bird 182
Lord, Send Me An Angel 183
Dead Leaves and the Dirty Ground 178
Apple Blossom 137
Broken Bricks 96
Cannon 68
John The Revelator 37
Cannon (reprise) 34
Truth Doesn't Make A Noise 164
Jolene 200
I'm Bored 78
Let's Build A Home 93
Goin' Back To Memphis 55
Suzy Lee 159
After Hours 155
Magic Stick
Detroit, MI
12/31/2000

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Setlist at Magic Stick Detroit, MI on 12/31/2000

Set One
Let There Be Rock 313
Dog Eat Dog 207
You're Pretty Good Looking (For a Girl) 104
Hello Operator 141
Death Letter 271
Little Bird 182
Lord, Send Me An Angel 183
Dead Leaves and the Dirty Ground 178
Apple Blossom 137
Broken Bricks 96
Cannon 68
John The Revelator 37
Cannon (reprise) 34
Truth Doesn't Make A Noise 164
Jolene 200
I'm Bored 78
Let's Build A Home 93
Goin' Back To Memphis 55
Suzy Lee 159
After Hours 155

Show Notes

mastered by Bill Skibbe at Third Man Mastering

“As New Year’s Eve 2000 crested over to 2001, Jack and Meg performed a celebratory set at the Magic Stick in 

their hometown of Detroit. Rather than just approach the set the same off-the-cuff way they’d perfected over 

the previous six months of incessant touring, the band put in the effort to make the evening special. Fresh 

off their Australian tour dates, the band exhibited a rediscovered appreciation for the early works of AC/DC 

and decided to place it front and center by starting the show with intense takes on both “Let There Be Rock” 

and “Dog Eat Dog.” Joined by good friend Chris McInnis (They Come in Threes, PA) on bass for these two songs, 

it would be one of only a handful of times the Stripes would employ the four-string instrument in the live 

setting, creating a rock solid power trio here which is totally in service to the songs. The rest of the set 

is strong, with all the quintessential 2000-era highlights…”Hello Operator” with “Little Bird” and “Lord, 

Send Me an Angel” along with a stellar “Let’s Build a Home/Goin’ Back to Memphis” medley. All punctuated with 

a set-closing rendition of the Velvet Underground’s “After Hours.”  Originally written by Velvets frontman 

Lou Reed for drummer Moe Tucker to sing, the Stripes version has Meg stepping out from behind the drum kit 

for the first time ever in concert, delivering her lines with all the charm and verve that fans would come 

to love from her later outings singing both “In the Cold, Cold Night” and “Passive Manipulation.” As with 

the AC/DC tracks, this would be the only time the White Stripes would ever cover “After Hours.” In a career 

chock-full of outstanding live performances, this gig stands out as one of the most-special and unique shows 

the band ever played. Available in mediocre quality on bootlegs for years (thanks to a slick fan who fished 

a copy out of a dumpster), this version is speed-corrected and remastered in high-quality directly from the 

original board tape."

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