Setlist at Teatro Cervantes Malaga, Spain on 7/5/2003

Set One
Announcement 96
The Power To Believe I 50
Level 5 453
ProzaKc Blues 320
The ConstruKction of Light 515
Facts Of Life 335
ELEKTRIK 471
The Power To Believe II 493
VROOOM 259
Dinosaur 376
Happy With What You Have To Be Happy With 247
Dangerous Curves 301
Larks Tongues In Aspic Pt IV 734
The Power To Believe III 445
Frame By Frame 390
The World's My Oyster Soup Kitchen Floor Wax Museum 405
Red 388
Teatro Cervantes
Malaga, Spain
7/5/2003

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Setlist at Teatro Cervantes Malaga, Spain on 7/5/2003

Set One
Announcement 96
The Power To Believe I 50
Level 5 453
ProzaKc Blues 320
The ConstruKction of Light 515
Facts Of Life 335
ELEKTRIK 471
The Power To Believe II 493
VROOOM 259
Dinosaur 376
Happy With What You Have To Be Happy With 247
Dangerous Curves 301
Larks Tongues In Aspic Pt IV 734
The Power To Believe III 445
Frame By Frame 390
The World's My Oyster Soup Kitchen Floor Wax Museum 405
Red 388

Show Notes

Touring with what many observers concluded was their strongest album for many years, the beastly Crim appeared to be in buoyant health[endtease] as they played Europe, but as we all know, appearances can be deceptive. “Let Me remind you one more time, please don’t take a picture. Especially of him” says Adrian after a truly blazing Level Five.


Fripp’s aversion to flash photography had culminated in him repositioning his rig so that he was almost facing the band rather than have the audience in his sight-lines. Despite worries in his diary about the cumulative effect that all of this was having upon his playing and that of the group, Crimson still turn in a powerful performance.


True, Vrooom is somewhat tentative but an astringent rendition of Dinosaur, a cavernous-sounding PTBII (complete with sampled thunder) and a glistening Gunn solo during Deception provide plenty in way of compensation. The further into the gig you get the better the vibe between the musicians. Pretty much everything from Happy really cooks and in the case of Dangerous Curves seems to go beyond anything previously attempted to date.


Whatever reservations RF might have had about the concert one eyewitness reports that at the end of the evening “he went out from the darkness of the stage and applauded to everybody, to all the audience, as a farewell of a good performance, which is a not usual attitude on Mr. Fripp, like you know very well." Thanks to Jose Correa Caro and his 17 year old son who requested this concert be made available.

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