Setlist

Set One
Introductory Soundscape 95
Red 337
Thela Hun Ginjeet 344
The ConstruKction of Light 524
ProzaKc Blues 345
FraKctured 544
Into The Frying Pan 409
Frame By Frame 318
Improv: I 360
Improv: II 247
One Time 383
Dinosaur 311
Larks Tongues In Aspic Pt IV (Incomplete) 679
Elephant Talk 401
Three Of A Perfect Pair 243
The World's My Oyster Soup Kitchen Floor Wax Museum 549
Deception Of The Thrush 536
VROOOM 417
Heroes 341
Shibuya Kokaido
Tokyo, Japan
10/4/2000

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Setlist

Set One
Introductory Soundscape 95
Red 337
Thela Hun Ginjeet 344
The ConstruKction of Light 524
ProzaKc Blues 345
FraKctured 544
Into The Frying Pan 409
Frame By Frame 318
Improv: I 360
Improv: II 247
One Time 383
Dinosaur 311
Larks Tongues In Aspic Pt IV (Incomplete) 679
Elephant Talk 401
Three Of A Perfect Pair 243
The World's My Oyster Soup Kitchen Floor Wax Museum 549
Deception Of The Thrush 536
VROOOM 417
Heroes 341

Show Notes

King Crimson bulldoze their way into the ears of this Tokyo crowd with the particular barbarous rendition of Red that not only takes no prisoners but at times threatens to storm ahead without various members of the group.


Improv I features Adrian on waspish setting that he would later refine for Virtuous Circle, whose bass notes can be percolating through the rhythmic patterns. Fripp’s laser beam lines take on an almost sinuous quality that eventually coalesce into 13-second sustained note that carries over into the second, rockier excursion.


In between One Time and Dinosaur, a fleeting, seconds-long Belew-generated beat offers up an intriguing platform. Yet almost as soon as it arrives, it’s gone, like some ghost in the machine. “Just thought I’d try that for a second” says the guitarist.


There’s a few clams that come to unseat players in the oddest of places but none so naked or apparent than on LTIA PtIV. Here it’s Ade’s rig that fails to rise to the occasion in that song rather than Ade himself, leaving Fripp the arduous task of trying to stay on the back of the beast all on his own. He stages a quick recovery in time for the fast running notes, executing a faultless run, by which time Ade’s rig is back up to speed. Of the clams in general, some forced and unforced, Fripp noted at the time, “the quality of our recoveries are only matched by the abandon which precipitates them.”

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