Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 130
The Hell Hounds of Krim 220
Larks' Tongues In Aspic, Part I 480
Pictures of a City 508
Cirkus 452
Fracture 672
Interlude 134
The Court Of The Crimson King 428
Radical Action (to Unseat The Hold Of Monkey Mind) 183
Meltdown 274
Easy Money 507
The Letters 355
Red 472
Set Two
Devil Dogs Of Tessellation Row 186
Dawn Song 139
Radical Action II 137
Level Five 422
Epitaph 527
The ConstruKction of Light 394
Suitable Grounds For The Blues 290
The Talking Drum 205
Larks' Tongues In Aspic, Part II 416
Starless 896
Encore
Banshee Legs Bell Hassle 87
Heroes 268
21st Century Schizoid Man 738
Forum Karlin
Prague, Czech Republic
9/14/2016

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Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 130
The Hell Hounds of Krim 220
Larks' Tongues In Aspic, Part I 480
Pictures of a City 508
Cirkus 452
Fracture 672
Interlude 134
The Court Of The Crimson King 428
Radical Action (to Unseat The Hold Of Monkey Mind) 183
Meltdown 274
Easy Money 507
The Letters 355
Red 472
Set Two
Devil Dogs Of Tessellation Row 186
Dawn Song 139
Radical Action II 137
Level Five 422
Epitaph 527
The ConstruKction of Light 394
Suitable Grounds For The Blues 290
The Talking Drum 205
Larks' Tongues In Aspic, Part II 416
Starless 896
Encore
Banshee Legs Bell Hassle 87
Heroes 268
21st Century Schizoid Man 738

Show Notes

On their first evening in Prague, King Crimson aren’t taking any prisoners. After a barrage of triple drumming, the massed roar of Larks’ Tongues, Pictures of Cities and Cirkus and the bulldozing Fracture, the first real let-up in the ramped-up tension of the first set comes with the Fripp-penned Interlude. While the dynamics may be considerably gentler than anything that precedes it, this pensive air has an unsettling, somewhat ambiguous quality. Sometimes, when Crimson is in the quiet zone, it can indicate that something more demonstrative is just around the corner. As Collins and Jakszyk’s duel flutes drift away, Levin’s electric double bass and Fripp’s phat low-end synth tones mark out space and time. Sure enough, it’s not too long before that uneasy sepulchral mood gives way to the radiant blast of the introduction to In The Court Of The Crimson King.  

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