Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 117
Dawn Song 139
Radical Action II 139
Pictures of a City 508
Cirkus 453
Fracture 675
Epitaph 534
The Hell Hounds of Krim 220
Easy Money 489
Radical Action (to Unseat The Hold Of Monkey Mind) 185
Meltdown 265
The Talking Drum 215
Larks' Tongues In Aspic, Part II 485
Set Two
Devil Dogs Of Tessellation Row 175
The ConstruKction of Light 390
Level Five 425
The Court Of The Crimson King 438
The Letters 366
Red 396
One More Red Nightmare 375
Starless 917
Encore
Banshee Legs Bell Hassle 92
Heroes 280
21st Century Schizoid Man 723
Admiralspalast
Berlin, Germany
9/12/2016

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Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 117
Dawn Song 139
Radical Action II 139
Pictures of a City 508
Cirkus 453
Fracture 675
Epitaph 534
The Hell Hounds of Krim 220
Easy Money 489
Radical Action (to Unseat The Hold Of Monkey Mind) 185
Meltdown 265
The Talking Drum 215
Larks' Tongues In Aspic, Part II 485
Set Two
Devil Dogs Of Tessellation Row 175
The ConstruKction of Light 390
Level Five 425
The Court Of The Crimson King 438
The Letters 366
Red 396
One More Red Nightmare 375
Starless 917
Encore
Banshee Legs Bell Hassle 92
Heroes 280
21st Century Schizoid Man 723

Show Notes

Notwithstanding a gremlin or two at work in the early moments of Dawn Song and Radical Action, Crimson’s second night in Berlin feels like it gets properly underway with a boisterously swinging Pictures Of A City that includes a scorching solo from Mel Collins. Collins has recalled that in the aftermath of the Islands-era band falling apart, Robert Fripp sounded him out about joining what eventually became the Larks’ Tongues incarnation. For Collins, things were still a bit too raw, and he declined. Over forty years later, however, his presence in the group means we can hear how things might well have worked out had he joined the team back in the winter of 1972, when the band played music from the LTIA album. Fans of symmetry will note that as the sax solo gets underway, it fleetingly mirrors the shrill screeching that ushers in the LTIA Pt2, sampled from the original multitracks and triggered by Pat Mastelotto.

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