Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 114
The Hell Hounds of Krim 220
Dawn Song 138
Radical Action II 136
Level Five 418
A Scarcity of Miracles 411
Red 400
Cirkus 451
Fracture 690
The Letters 380
The Sailor's Tale 375
Interlude 120
Easy Money 510
Epitaph 596
Set Two
Devil Dogs Of Tessellation Row 182
VROOOM 279
Suitable Grounds For The Blues 298
The ConstruKction of Light 391
Meltdown 261
The Talking Drum 210
Larks' Tongues In Aspic, Part II 415
Starless 914
Encore
Banshee Legs Bell Hassle 107
The Court Of The Crimson King 424
21st Century Schizoid Man 746
House of Music and Dance
Zabrze, Poland
9/18/2016

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Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 114
The Hell Hounds of Krim 220
Dawn Song 138
Radical Action II 136
Level Five 418
A Scarcity of Miracles 411
Red 400
Cirkus 451
Fracture 690
The Letters 380
The Sailor's Tale 375
Interlude 120
Easy Money 510
Epitaph 596
Set Two
Devil Dogs Of Tessellation Row 182
VROOOM 279
Suitable Grounds For The Blues 298
The ConstruKction of Light 391
Meltdown 261
The Talking Drum 210
Larks' Tongues In Aspic, Part II 415
Starless 914
Encore
Banshee Legs Bell Hassle 107
The Court Of The Crimson King 424
21st Century Schizoid Man 746

Show Notes

Tony Levin has often stated that the running lines of TCOL, originally devised by Trey Gunn, are without doubt the most challenging piece he plays within Crimson. Running through a mental checklist, only when he’s ready does he give the nod to Pat Mastelotto to trigger the piano note sample and let the galloping begin. Aside from Tony’s rapidly circulating fingers, the elegant, interlocking notes from Fripp and Jakszyk, and Mel’s flowing sax break all add up to an especially fine construKction.

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