Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 121
Dawn Song 139
The Hell Hounds of Krim 217
Pictures of a City 500
A Scarcity of Miracles 397
Interlude 136
Cirkus 451
Fracture 694
The Letters 374
The Sailor's Tale 391
The Court Of The Crimson King 430
The Talking Drum 225
Larks' Tongues In Aspic, Part II 484
Set Two
Devil Dogs Of Tessellation Row 180
Radical Action II 137
Level Five 421
The Light of Day 347
Epitaph 526
Radical Action (to Unseat The Hold Of Monkey Mind) 185
Meltdown 273
Easy Money 525
Red 403
Starless 901
Encore
Banshee Legs Bell Hassle 90
21st Century Schizoid Man 710
Sentrum Scene
Oslo, Norway
9/28/2016

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Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 121
Dawn Song 139
The Hell Hounds of Krim 217
Pictures of a City 500
A Scarcity of Miracles 397
Interlude 136
Cirkus 451
Fracture 694
The Letters 374
The Sailor's Tale 391
The Court Of The Crimson King 430
The Talking Drum 225
Larks' Tongues In Aspic, Part II 484
Set Two
Devil Dogs Of Tessellation Row 180
Radical Action II 137
Level Five 421
The Light of Day 347
Epitaph 526
Radical Action (to Unseat The Hold Of Monkey Mind) 185
Meltdown 273
Easy Money 525
Red 403
Starless 901
Encore
Banshee Legs Bell Hassle 90
21st Century Schizoid Man 710

Show Notes

It’s the final night in Oslo, and after the foreboding Dawn Song, the three guys at the front join forces to become one drummer with many hands. There was a time in rock music when the appearance of a drum solo was more often than an excuse to go off to the toilets, while a feat of endurance, in all senses of the word, was thrust upon those in the concert hall. However, percussion vignettes such as Hell Hounds and Devil Dogs come from a different place altogether. Unconcerned with delivering the fastest paradiddle in the West, instead, there’s the delicate articulation of an undulating melody, spread across a series of graceful dynamic arcs between each of the three players. Listening to the glistening bell-tones of Banshee Leg Bell Hassle, it’s a reminder of the Hand Sonic work-outs Adrian Belew and Pat Mastelotto used to perform in the tours running up to the Power To Believe album. Like then, amid the general Sturm und Drang generated at a King Crimson, these moments allow listeners, and perhaps even the band themselves, to refresh the palate, as it were, savouring something light and delicate.

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