Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 121
The Hell Hounds of Krim 219
Larks' Tongues In Aspic, Part I 498
Pictures of a City 509
Cirkus 449
Fracture 673
The Court Of The Crimson King 436
Suitable Grounds For The Blues 308
The Letters 352
The Sailor's Tale 359
Interlude 119
The Talking Drum 214
Larks' Tongues In Aspic, Part II 479
Set Two
Devil Dogs Of Tessellation Row 188
Dawn Song 139
Radical Action II 137
Level Five 419
Epitaph 531
Radical Action (to Unseat The Hold Of Monkey Mind) 183
Meltdown 274
Easy Money 481
Red 404
Starless 893
Encore
Banshee Legs Bell Hassle 96
21st Century Schizoid Man (Incomplete) 423
House of Music and Dance
Zabrze, Poland
9/17/2016

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Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 121
The Hell Hounds of Krim 219
Larks' Tongues In Aspic, Part I 498
Pictures of a City 509
Cirkus 449
Fracture 673
The Court Of The Crimson King 436
Suitable Grounds For The Blues 308
The Letters 352
The Sailor's Tale 359
Interlude 119
The Talking Drum 214
Larks' Tongues In Aspic, Part II 479
Set Two
Devil Dogs Of Tessellation Row 188
Dawn Song 139
Radical Action II 137
Level Five 419
Epitaph 531
Radical Action (to Unseat The Hold Of Monkey Mind) 183
Meltdown 274
Easy Money 481
Red 404
Starless 893
Encore
Banshee Legs Bell Hassle 96
21st Century Schizoid Man (Incomplete) 423

Show Notes

After two days in the Czech Republic, the team arrived in Poland for a two-day engagement in Zabrze following a travel day. While Crimson are normally on point for their shows, to these ears, this show has something of an extra spark, resulting in a more fiery performance than usual. Maybe it’s because they had a day away from the stage? Who knows, but take a listen to Larks’ Tongue In Aspic Part 1 and Jakko’s lightning-fast lead interventions before the bass solo. Phew, talk about getting in and out! Jakko is also on fine form with his pipes on Easy Money, not only providing first-class vocals in the verses but offering up some stellar wordless improv in the middle section. Fripp’s outing in the same piece is classic stuff as well. Elsewhere, Fripp is in a playful mood. On Schizoid Man, following Mel’s extended solo spot, Fripp returns only this time channelling a phat fretless bass sound to spar in a flurry of exchanges with Harrison. This incomplete recording runs out before Harrison has time to properly embark upon his obligatory solo spot. All in all, this is quite a gig.

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