Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 134
The Hell Hounds of Krim 221
Dawn Song 137
Radical Action II 137
Level Five 423
Epitaph 526
Cirkus 451
Fracture 668
Interlude 148
Suitable Grounds For The Blues 299
Radical Action (to Unseat The Hold Of Monkey Mind) 184
Meltdown 279
Easy Money 493
Red 477
Set Two
Devil Dogs Of Tessellation Row 177
VROOOM 311
The Court Of The Crimson King 426
The ConstruKction of Light 394
The Light of Day 341
The Letters 395
The Talking Drum 213
Larks' Tongues In Aspic, Part II 425
Starless 898
Encore
Banshee Legs Bell Hassle 101
21st Century Schizoid Man 736
Sentrum Scene
Oslo, Norway
9/27/2016

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Setlist

Set One
Walk On: Monk Morph Music Of The Chamber 134
The Hell Hounds of Krim 221
Dawn Song 137
Radical Action II 137
Level Five 423
Epitaph 526
Cirkus 451
Fracture 668
Interlude 148
Suitable Grounds For The Blues 299
Radical Action (to Unseat The Hold Of Monkey Mind) 184
Meltdown 279
Easy Money 493
Red 477
Set Two
Devil Dogs Of Tessellation Row 177
VROOOM 311
The Court Of The Crimson King 426
The ConstruKction of Light 394
The Light of Day 341
The Letters 395
The Talking Drum 213
Larks' Tongues In Aspic, Part II 425
Starless 898
Encore
Banshee Legs Bell Hassle 101
21st Century Schizoid Man 736

Show Notes

The second night in Oslo finds Crims in good form, with Fracture’s various twists and turns emanating a daunting yet exuberant presence. That combination of cerebral application and emotional discharge underpinning the piece makes it such a significant moment whenever it is performed. Perhaps the highlight of the second half of the show comes with The Light Of Day making its second appearance of the tour. When it was first performed live in 2014, some in the audience expressed surprise or bafflement at the song’s shimmering dissonances and deep Noir-ish shadows. Yet such moments have been part of the Crimson vocabulary since 1969, so it shouldn’t be too much of a surprise to open-eared Crim-heads. As if to make that very point, the fact that it finds itself in such close proximity to The Letters, which, like The Light Of Day, centres around an isolated vocal, tense atmospherics and a smattering of atonal improv, cannot be accidental.

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